An upright court beauty in the full-bodied style of the Tang ideal. Her robes transition from pale pink through golden yellow to deep teal — a three-colour glaze effect rendered entirely in wax. A study in elegant gradients.
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She was modelled after the full-figured beauties celebrated in Tang poetry — wide-sleeved, poised, carrying herself with the ease of someone accustomed to being watched. The wax catches her in mid-gesture, an arm slightly raised as if she has just finished speaking. Burn her down and the gesture remains.